portraitureOwen, 2019
Owen through the Tulips, 2019.
Owen in the Rainy House, 2019.
Owen, 2019.
Owen in Red, 2019.
Marguerite “Tu-Lips” Simone, 2019.
Marguerite, 2019
The Preparation, 2019.
Samyukta, 2019.
visceral transience 
Always Trying to Fill My Shoes with Something Wholesome, 2015
Dinosaur Feet, 2015
I’m Pretty Sure This One’s Babaroo, But I’m Not Quite Sure, 2015
Spider Over the Mountain, 2015
Versailles, 2017
Arc de Triomphe, 2017
Celeste and Esiris’, 2018
Delusions of Grandeur, 2018
We Were Hanging by a Thread in New Orleans, 2018
The Beach in Mumbai, 2018
The Sewage Canal I Fell in Love With, 2018
A Warm Respite, 2018
Ponyboy, 2018
Looking Back, 2018
Feels Like Home Up Here, 2018
Smells Like Home Too, 2018
A Paradise Through My Eyes, 2018
Afternoon Reflection, 2018
Bored At The Arcade, 2018
Someone Else’s House, 2018
In My Grandfather’s Sandpit, 2018
Remnants, 2018
A Monument, 2018
Exactly How I Like It, 2018
Also Exactly How I Like It, 2018
A Monument, 2018
Summer Home, 2018
I’m There, Somewhere, 2018
A Living Being, 2018
A Brief Realization in the Barn That Morning, 2018
Order, 2018
Planar Melancholia, 2018
Summer Melancholia, 2017
A Photograph of Exactly What It Feels Like To Be at Home, 2017
Exactly How I Like It (Blossom Rock), 2017
The Itinerant Antiquesman, 2017
Human Tracks, 2018
Snow White, 2018
“And Why Are We Stopping To Take a Picture of This?”, 2018
My Last Picture of Ielenza, 2016
Morning Light in My Room, 2018
Respite, 2018
GIRL ON FILM, 2017
Movement on a Late Afternoon, 2019
2019, 2019
Lone, 2018
From the Position of Power, 2018
Iridescence, 2018
Nothing Fun About It, 2017
Lover’s Rock, 2019.
Towards, 2019.
Reader’s Block, 2019.
Near-sighting, 2019.
Provisions, 2019.
“Ya like what ya see, ladies?”, 2019.
A Relic in Midtown, 2019.
Warm Respite, 2019.